As a war narrative enveloped in magic, love, and hope, The Baghdad Clock adds depth to the burgeoning genre of postcolonial Iraqi novels.
When I found out that I was reviewing “Muslim” for World Literature Today, I was elated. And you can read about why in my review in the summer issue of World Literature Today.
Migrant writer Aglaja Veteranyi once wrote that “[her] father says you remember the smell of your country no matter where you are but only recognize it when you’re far away.”
Fiction has the power to uncover what is left unsaid in headlines and social media posts. It disrupts the chain of narratives that insidiously silence the voices of those who demand to be heard.