Alifa Rifaat’s stories are situated within an Islamic framework that allows her to create a feminism of her own. Since Islam and empowerment are often misguidedly placed in contradiction to one another, it’s easy to see why Rifaat is not a household name.
This may all seem too idealistic to some but nonetheless conveys a crucial message about the role of the artist and what cultural and literary representations can offer in the ongoing debates about the so-called “problem” of Muslims in the Anglophone North Atlantic.
When I found out that I was reviewing “Muslim” for World Literature Today, I was elated. And you can read about why in my review in the summer issue of World Literature Today.