As a war narrative enveloped in magic, love, and hope, The Baghdad Clock adds depth to the burgeoning genre of postcolonial Iraqi novels.
Without a doubt, 2020 has been a testing time for all of us across the globe. Fortunately for us book … More
“Siddhartha said: ‘What could I say to you that would be of value, except that perhaps you seek too much, that as a result of your seeking you cannot find.'”
Alifa Rifaat’s stories are situated within an Islamic framework that allows her to create a feminism of her own. Since Islam and empowerment are often misguidedly placed in contradiction to one another, it’s easy to see why Rifaat is not a household name.
“So instead of giving way to despair, I took the way of active melancholy as long as I had strength for activity, or in other words, I preferred the melancholy that hopes and aspires and searches to the one that despairs, mournful and stagnant.”
“…But every once in a while, I’ll read a book that glorifies problematic relationship behaviors such as manipulation or even stalking. I don’t ever want to write a book that encourages women to seek out unhealthy, or even dangerous, relationships, so I focus on creating relationships that are healthy.”
This may all seem too idealistic to some but nonetheless conveys a crucial message about the role of the artist and what cultural and literary representations can offer in the ongoing debates about the so-called “problem” of Muslims in the Anglophone North Atlantic.
“Happiness,” Woolf writes, “is in the quiet, ordinary things. A table, a chair, a book with a paper-knife stuck between the pages. And the petal falling from the rose, and the light flickering as we sit silent.”